During the 25th anniversary of Jahan-e-Khusrau, Prime Minister Narendra Modi participated in the grand Sufi music festival held in New Delhi to pay tribute to the legendary 13th-century poet, musician, and scholar, Amir Khusrau. Known as the "Parrot of India," Khusrau played a crucial role in shaping India's rich cultural and artistic heritage through his poetry, music, and linguistic innovations. His works reflect a beautiful blend of Persian, Turkish, and Indian influences, symbolizing the essence of the Ganga-Jamuni tehzeeb, which promotes unity in diversity. His contributions continue to inspire generations, fostering harmony, artistic expression, and the deep-rooted traditions of Sufism in India.
Historical Context and Patronage
During the Delhi Sultanate period he served five rulers starting with Muizuddin Qaiqabad until Ghiyasuddin Tughlaq completed his patronage.
Muizuddin Qaiqabad, Jalaluddin Khalji, Alauddin Khalji, Qutbuddin Mubarak Shah, and Ghiyasuddin Tughlaq.
His birth took place in Patiyali Uttar Pradesh where he emerged as the son of a Turkish lineage and an Indian Muslim descent.
The Mongol invasions prompted Khusrau to migrate to India when living in Transoxiana.
Khusrau received the title Tuti-yi-Hind (Parrot of India) because of his remarkable skills as a poet.
He used the term "Indian Turk" to unite the Persian cultural heritage with Turkic heritage as well as the Indian traditions.
The association between Khusrau and his Turkic noble father occurred after the Turkic nobles chose to migrate to India because of the Mongol invasions while his Indian Muslim mother remained in his lineage.
At the age of 20 Khusrau started writing poetry at the Delhi court where he served five Delhi Sultans throughout his career.
Muizuddin Qaiqabad, Jalaluddin Khalji, Alauddin Khalji, Qutbuddin Mubarak Shah, and Ghiyasuddin Tughlaq.
He wrote poetry that combined praise of royal patrons with native elements through his use of Persian and Hindavi languages.
King Sultan Jalaluddin Khalji bestowed upon him the noble rank of "Amir".
Through devotion he achieved the rank of closest follower under Sufi saint Nizamuddin Auliya.
During his life Khusrau maintained an extremely close connection with his teacher because he declared in his verse:
The absence of my master in Paradise makes any entry into his heavenly realm impossible.
The poetic works and qawwali compositions of the mystic poet constitute essential spiritual components of Sufi spiritual practice.
He established Hindavi through the fusion of Persian together with Sanskrit as well as local linguistic elements.
Early Urdu and Hindi literary traditions formed through the poetic forms and works of Khagzals, masnavis, riddles and proverbs created by him.
Within Nuh Siphir he commended Hindu philosophical ideas to promote his inclusive spiritual approach.
Through qawwali he made music popular by combining the musical elements of Persian and Arabic with Indian musical culture.
Hindustani classical music gained new innovations from him which include:
Development of several ragas.
Introduction of khayal and bol-bant singing styles.
Although the claims of his invention of sitar and tabla remain disputed.
His qawwalis and ghazals continue to be timeless masterpieces among others like Chhaap Tilak, Zehal-e-Maskeen, Sakal Ban Phool Rahi Sarson.
Chhaap Tilak, Zehal-e-Maskeen, Sakal Ban Phool Rahi Sarson.
His music exists beyond spiritual and secular domains because he performs both at Sufi shrines and Bollywood musical events.
Amir Khusrau will always be remembered for uniting traditions and linguistic components in music. His status as poet together with musician and Sufi follower allowed him to form a vital part of India's rich cultural heritage. The musical compositions he created in Hindavi, qawwali and Indian classical music have kept living their power throughout multiple centuries helping to unite different cultures and create harmony.
The place where Khusro Al Amili rests down continues to stand as proof of his dedicated following of spiritual teachings near Nizamuddin Auliya’s dargah. The celebration of Jahan-e-Khusrau preserves his vision for syncretic India so that the heart of Sufi mysticism and inclusive approaches remain alive for new generations.